by:
doubting Thomas Hardy
Miller 1
Throughout Tess of the DUrbervilles Thomas Hardy throws a sense that there is a malevolent hatful guiding each of the characters, often for the worsened, to an inevitable end. However, this is intermingled with the actions of the characters and to the point that for them to repeal such stack they would have to remain inert, and be as good as dead. It has been said that characters cannot choose their own fate but can choose their own path to disaster. This illustrates the link way in which Hardy uses fate and choice to create the poignant story of Tess, her family and her relationships illustrating, throughout, how his characters get a lot worse than they deserve, perhaps with the omission of Mr. Angel Clare.
From the beginning Hardy uses fall out themes to illustrate that Tesss death has been pre-determined, giving us the notion that whatever path she chooses she will end up killing Alec. However, at each point where this is indicated there is an aspect of her character that influences what occurs next. On behalf of this, it could be argued that her choices are the sole influence in her support but from the moment she was born, or her character developed, her end was nigh decided. Or, at least, this is what Hardy wishings us to feel.
While she could be considered trustworthy for her actions, it is due to some fault of her character that she manages to come bump off worst in nearly every situation. Her character is designate to drag her down even though she constantly endeavors to be the best she can be: going to the market when her find is too drunk to do so; not judge to be his creature (referring to Alec dUrberville); telling the truth to Angel Clare, scorn her mothers warning not to; and many other situations. This is undeniably the campaign why, despite the indignation of people who held more conventional views at the time, Hardy called it the story of a pure woman.
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