The focus we see this dilemma expressed in Roy is through the author's use of characterization. Roy cannot face his own darkest thoughts and his existential beliefs fully. He tries but he knows that to face them he will have to dwell in melancholy and robust despair.
His character is strong enough to achieve this except he cannot share it with others, least of all those he most wishes to be close to. He is a man driven by his compulsion to look the truth and a man possessing great insight and conscious awareness, but, ultimately he is afraid. His characterization is achieved from the way he responds to his own internal demons and also the way he interacts with others. As Joan discovers once married to him, "He shut out parts of his nature from her: shut them out, because he did not neediness to recognize them himself. She knew that he was visited by desperate melancholy?She knew he was frightened at any premonition that he was issue to be attacked again: she believed, as he wanted to, that they could find a charm which kept him in the light" (Snow 195). The line is that Roy cannot come out of the darkness of his own thoughts, thoughts that make him tang there is no god and nothing to hope for in a cruel, unfair world.
Snow, Baron Charles Percy. The Light and the Dark. Charles Scribner's Sons, N.Y.: 1947.
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