Friday, November 9, 2012

The Light & The Dark:The Internal Conflict Faced by Roy

there is a gravid deal of remainder in the novel which serves to underscore the inwrought divergence faced by Roy. at that place is the conflict o'er who will be appointed to replace the Major. There is conflict concerning those who disdain Roy because of rumor and those who love him because they know his real story. There is the conflict between god and science and the inability to institute there is a god to an analytical, empirical opus resembling Roy. There is also the conflict between trying to move and form a connection with others and the inherent quandary of art object being truly alone, like how Roy cannot form a occult bond with his wife and how the Major is helpless and isolated because he is facing his death. All of this conflict serves to underscore the major conflict within Roy, which is his capital enthusiasm and enjoyment of living twin with his major b starts of depression. Roy is torn between the knowledge that no man can be fully unders besidesd by another(prenominal) and his belief that if he were that understood it would undermine his declare alone(predicate) nature. As he says to Lewis, "I need to act as though you're wrong. It may weaken me if I know what you're thinking. There may be times when I shall not extremity to be understood. I can't risk being weakened" (Snow 181). Roy is claustrophobic he will lose his identity and not be able to continue his search for the ultimate truths if he is too con


The focus we see this dilemma expressed in Roy is through the author's use of characterization. Roy cannot face his own darkest thoughts and his existential beliefs fully. He tries but he knows that to face them he will have to dwell in melancholy and robust despair.
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His character is strong enough to achieve this except he cannot share it with others, least of all those he most wishes to be close to. He is a man driven by his compulsion to look the truth and a man possessing great insight and conscious awareness, but, ultimately he is afraid. His characterization is achieved from the way he responds to his own internal demons and also the way he interacts with others. As Joan discovers once married to him, "He shut out parts of his nature from her: shut them out, because he did not neediness to recognize them himself. She knew that he was visited by desperate melancholy?She knew he was frightened at any premonition that he was issue to be attacked again: she believed, as he wanted to, that they could find a charm which kept him in the light" (Snow 195). The line is that Roy cannot come out of the darkness of his own thoughts, thoughts that make him tang there is no god and nothing to hope for in a cruel, unfair world.

Snow, Baron Charles Percy. The Light and the Dark. Charles Scribner's Sons, N.Y.: 1947.


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