The Curse of Macbeth and Other Theatrical Superstitions

**This essay was inspired by another essay I wrote for academic grading The Supernatural in and Surrounding MacbethIt is a long time fact that the folks that grace the pegleg and the houses argon a superstitious bunch. The bigotrys held by these people whitethorn seem bizarre to outsiders, notwithstanding to those in the intricate scrap of the house, they argon serious offences and measures must be made to make unnecessary disasters. All theatrical bigotrys (and many superstitions in general) are basis on ?the principle of luck.? Many superstitions pitch a foot in religious beliefs, such as the superstition that tropical cross buns are lucky due to their wizardly powers. However, theatrical superstitions are conception to be completely dour and score to no religious roots, merely the most likely explanations for some superstitions go back to a fear of Satan. break in it is difficult to trace the history and background of superstitions, there are severa l theatrical themed ones that do in fact have basis, even if most people don?t absorb about them. It is commonly believed that whistling in a theatre is bad luck. Not only does this apply to the stage and auditorium area, but also the backstage, the dressing rooms and everywhere in the building. In the dressing room, if one whistles, it means that someone bequeath be out of work.

It is not necessarily the whistler, but whoever is closest to the door. This superstition has many believable roots. There is a Cornish look that goes ?whistle and I?ll come to you.? This is in reference to the Devil. It is mentation that by whistling in a theatre you depart summon the Devil, the ultimate ev il. Another possible root, and a to a greate! r extent plausible one, is that in the 18th century, theatres frequently hired seamen to be stage hands and the... If you want to get a liberal essay, order it on our website: OrderEssay.net

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